This was helped by two things: Firstly, the flourishing heraldry of The Prince of Wales, with all his subsidiary titles such as Duke of Cornwall and Earl of Chester and secondly, the fact that the Royal Bride was the daughter of a British earl and a prominent British aristocratic family which had long been in service to the Crown. As a consequence their respective Coats of Arms were to be found all over the place, especially when an artist at the College of Arms came up with a version of Diana's maiden Arms. The media wanted to know the significance of every aspect, even though the Wreath was pure artistic license and the innovative eight-pointed Lozenge-shaped Shield (reminiscent of the Star to the Order of the Garter) was simply to better accommodate the Quarterings and the Bend of the Spencer Arms. The illustrations above were featured on the front and back covers of the Official Programme which laid out the ceremonial of the Wedding Ceremony and was additional to the Souvenir Programme which gave photographs and information on the couple themselves.
I shouldn't imagine that there is anyone on Earth who is not aware of the fate of this marriage, Charles and Diana themselves and their families. Let us just give thanks for a ceremony which, shortly after the Silver Jubilee and the 80th Birthday of The Queen Mother, helped to bring the United Kingdom at least out of the dark days of the 1970s and kicking and screaming into the modern and exciting days of the 1980s.